The third part is the most important chapter of this thesis, detailed narrated the process of figuring Naren Gaowa’s musical image, and took a overall analysis respectively from solo, chorus and creating of actress, This chapter explored and researched Naren Gaowa by music noumenon, expressive force of performance and the skill of sing (breath, language tamber, volume), The end is a conclusion part, re- settled the skeleton of the thesis, expatiated the image of Naren Gaowa roundly.

本章从音乐本体、歌唱技巧(呼吸、语言、音色、音量)、舞台表现力等方面对娜仁高娃的唱段进行探索研究。 最后为结语部分,对论文的脉络进行梳理总结,进一步揭示《苍原》对中国歌剧的启示和意义并对娜仁高娃这一歌剧形象的塑造进行总结性的阐述。